* Ushh City, Usher’s rowdy version of Magic City adult club in his hometown of Atlanta. This is where Skye Dee Miles and her killer band, joined by Young, sing and lead the dance party in cozy quarters. * Club Ushh, the 1920s-themed tribute to Le Duc jazz club in Paris. * Backstage, the main foyer, the holding area for those who purchased the VIP access. The experience starts at 8 p.m., and lasts about an hour before Usher hits the stage Tickets are purchased separate from the Usher residency show (at $206 apiece, not including fees). It’s storytelling, replete with singing, music, dancing, amid a torrent of Ushh Bucks. The pre-show features a half-dozen independent, intimate venues arranged to paint a full picture of Usher’s life. “I want to create a real-life experience for people so that they too can be inspired by pivotal moments in Black music and culture including Le Grand Duc jazz club of 1920s Paris, the infamous Magic City of Atlanta and a ’90s New York City block party during the dawn of hip hop.” “The ‘Backstory’ pass experience is to take someone on an immersive journey through certain eras and cultural moments that have influenced me throughout my life,” Usher says. The visitors seem to be OK with just letting him be among the crowd. The three all played Billy Flynn on #Broadway. #WhoWasWhere: last night #Backstory pre-show Also met up w/ in the pre-show. No photos or cellphone use is permitted in Club Ushh, where Usher usually hangs and has been known to teach VIPs the proper “make it rain” technique. The star often shows up at “Backstory Pass,” and has welcomed such famous friends as Kevin Hart, Floyd Mayweather, Taye Diggs and Jermaine Dupri to the space. “In keeping with the authenticity of the residency as a whole, we made it a point to hire a very diverse group of all-local Las Vegas talent.” “I really enjoyed working together with my friends at OTBA (executive producer Out Of The Box Amusements) to create the first ever pre-show immersive experience for a Vegas residency,” Usher said in an email statement. It is the first time a Vegas hotel-casino has allowed an immersive production company take over a full, back-of-house production. This is an exceedingly rare entertainment production - yep, an immersive experience - taking place in the very back-of-house enclave beneath the Colosseum. The great #RJNow #ClubUshh #RJNow /IMtMdPNQGr It’s his backstage hang, his backstory, called “Backstory Pass.” Or, wait, this is the way he gets ready for tonight’s show. One gentleman near the stage is flinging bills to the sky, and flashing a grin that can be caught across the room. It seems like a mere corner of Sapphire’s Gentlemen’s Club, an athletic woman spinning around a pole. In moments, you’re carried into a pop-up gentlemen’s club. “Is that you? What is happening here?” He only grins and nods. #RJnow #VegasVille /WelhCJnPZeĮric Jordan Young, in a pearl-white suit, red fedora and matching hanky. Street dance on the loading dock, part of Backstory pre-show. You finally meet someone you might recognize, if you’ve spent enough time in Las Vegas. There is a flight of stairs, and another, heading down. The dozens of fans finally head through heavy, unmarked metal doors, the kind roadies push through with their lumbering equipment carts. But rare is the show when a Strip headliner directs fans to actually leave the building, before the performance. These ticket holders are not boarding a bus. They walk toward the ride-hailing and tour bus boarding area. (John Katsilometes/Las Vegas Review-Journal) wearing pink VIP lanyards are led out of the doors to the Colosseum at Caesars Palace, into the hot early evening. Martha Watson, the Den Mother, is shown in The Counting Room at "Backstory Pass," Usher's pre-show immersive production, is shown on Wednesday, Aug.
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McConaughey is well cast as Baker, one of those wiry, sweaty, haunted types who gravitate toward edge-of-the-Earth islands like Plymouth, but his performance is cartoonish, overly jittery and intense, built around suspicious stares and a constantly click-clacking Zippo. It’s clear from the get-go that something is amiss. Writer-director Steven Knight clearly cherishes his surprise twist, so I won’t spoil it, but imagine “Double Indemnity” turning into “The Truman Show” and you’ve got the idea. Yes, there is bloodshed there is also explicit sex that reveals more of McConaughey than we saw in even “Magic Mike.” Halfway through, however, “Serenity” becomes a whole new film with whole new themes - and new problems. Yes, there’s a gorgeous ex-wife, Karen (Anne Hathaway), who has married an abusive criminal, Frank (Jason Clarke), and now wants Baker to feed him to the sharks. 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And people really liked it."Īfter DEFCON 14, electronic badges began to gradually take on a life of their own. "In the beginning, we didn't know how people would respond, so we did a simple kind of artistic badge. Grand originally started off designing DEFCON badges as part of an effort "to bring awareness of hardware and hardware hacking to DEFCON," he said. It's a minor technological miracle that the badges had a relatively low failure rate at the conference-and many of those failures were a result of the hacks performed by attendees. I kind of put myself in that mindset of like, what if I was attending DEFCON for the first time? What would that feel like?"ĭelivery of the badges required for DEFCON 27 came down to the wire, and Grand had to push manufacturing straight from first working prototype to full production. Grand told Moss that he wanted to do something simple "that can appeal to as many people as possible, because the puzzles that have been done are amazing, but I didn't want to exclude people. "That's why they call it 'badge life'." Advertisement The task of turning out the DEFCON badge "is a full-time effort," Grand said. Of course, that shows that I'd forgotten the difficulty of actually designing badges." Grand acknowledged. Grand agreed, as he had spent much of 2018 traveling to speak and teach, "and I wanted to stay at home… like this would be a great opportunity to stay at home, work on a project, I can see my family more, I won't be on the road. Grand said Moss "called me out of the blue at the end of December and he's like, 'Hey, do you want to do the DEFCON badge?' Well, it was a decent amount of time… it would've been better to be like the day after last DEFCON." Just before DEFCON kicked off, Grand spoke with Ars about this year's badge design and the effort required to put together a real-world electronic quest for about 30,000 friends. Joe Grand, (AKA "Kingpin"), the designer of DEFCON's very first electronic, hackable badges (used for DEFCONs 14 through 18) returned to the task for this year's 27 th edition of the event at the request of DEFCON founder Jeff Moss ("Dark Tangent"). This year's badges, however, were both deceptively simple and cunningly complex, designed to get DEFCON attendees to interact with each other and explore the whole of the conference rather than falling too deeply into a badge rabbit hole. Last year's badge was a sophisticated puzzle challenge that included a social element and even a built-in text-based adventure. The DEFCON electronic badges-which for a time were used every other year because of the effort and budget that went into them-are typically the delivery vehicle for a unifying game. But the most visible, unifying part of DEFCON is its badges. And there are the Villages, each of them conferences unto themselves appealing to specific security and hacking communities. It's the largest, of course, with over 30,000 attendees, sprawling over four hotels in Las Vegas this year. LAS VEGAS-There are many things that make the DEFCON conference stand above all other hacking conferences. Eliseu Carvalho from Canoas, Rs, BrazilWe could call this his "swan song".Joe Grand/ DEFCON reader comments 18 with.Emma from Perth, Australia I watched this video once and find it too heartbreaking to watch again.The theme of his life, facing and expressing his angst and his genius "I'll be free – just like that bluebird". Then it is about coming to New York after he had made it globally as a musician, "I was living like a king", whereas before in his famous Berlin era he was a star, but broke: "I used up all my money." And then speaks about the beginning of his career, going for it all: "This way or no way". He talks about his fear of dying, and of being drugged mindless because of his cancer: "I'm so high it makes my brain whirl". Knowing he will pass away soon, and daring to write a song about it, he places it in the perspective of death: "Look up here, I'm in heaven". It's illustrated in the official video, with him hovering above the hospital bed (like people often describe their near death experiences) at the beginning and disappearing backwards into the closet at the end.
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Because of this, it arbitrarily decides that some sprites with lots of transparency overlap with other sprites on the sheet when used at runtime and sometimes the sprites don't overlap, really strange. The reason I want to use TexturePacker instead of Unity's Sprite Packer is because I cannot tell Unity whether to trim transparency or use MaxRects with my UI sprites that I wish to put into sheets. one doesn't know how many sheets are needed so again it's a manual process. This is pretty much like Multipack except as with solution 1.It is inconvenient because I don't know how many sheets are needed to fit all the sprites on, so it's quite a manual process of trial and error.If TP is not the solution, can anyone offer a solution Thanks for the quick reply. Plus, I already own Texture Packer and love it. Looking for a more elegant 'smart' solution. On our last project, I was making these texture atlas' manually, and it took a bit of effort to get them to work correctly. Or, the tools are 'smart' enough to readjust the uv mapping to accommodate the changes, every time the atlas is repacked due to additions or edits to individual textures.In order for this work correctly, the order of the texture atlas would need to be locked, so textures and uv mapping appear in the same position when the atlas is regenerated (edits and additions to atlas).(ex: 256x256 texture, actually a 248x248px + 4px edge bleed, to avoid seams when reducing the atlas size for min. Is there a way to add an edge bleed of 4px to each texture. Also, reducing atlas sizes might be necessary from 2k to 1k for optimization.The individual textures and atlas would be edited often and added to, so the UV-Maps would need to adjust to edits and additions of new textures to the atlas.Then, use a solution like Texture Packer to generate a texture atlas at 2048x2048, combining textures for several environment assets.Save PSD file for each asset individually.Create 3D model, unwrap uv's, adjust mapping, paint textures in Photoshop.(not 2D transparent sprites) Is this something I can do with Texture Packer Pro and the TP Unity plugin? I'm looking for a solution for a texture atlas pipeline that would allow me to create, edit, add 3D environment art for a mobile game. I'm using the latest Mac OS X on iMac 5k. I tried replacing the 'example.png' and 'example_data.txt' with my generated ones and it did work, but the texture UVs were not correct. That means I can't add newly created atlases. I tried the 'right click' on the project panel as you posted on the youtube tutorial, but there wasn't any drop down menu for texture packer. txt with json format but the tutorial says I should choose Unit圓D(which one?)Īlso, I tried to import the atlas with Texture Packer Importer, but the extension seems not working. I followed the steps included in your extension(the free version's documentation pdf seems out of date, though) What should I choose, the json(.txt) or texture2d(.tpsheet)? Because the example contains. I'm trying to create an atlas for mesh objects to reduce draw calls. Hi, I recently tried your extension and it looks great! Thanks for your work. TexturePacker does this for you - with a single click. If you want to use normal mapped sprites for dynamic light effects in your game, you have to create sprite sheets with the same layout for normal maps and diffuse maps. You can even hand off the sprite sheet creation to your artist. The free TexturePacker Importer plugin for Unity automatically re-imports the data as soon as you re-enter Unity's editor. The polygon packing mode generates tightly packed sprite sheets, reducing the memory amount compared to rectangular packing algorithms. You see all changes applied to the sprite sheet in real time. TexturePacker comes with an easy to use UI that allows you to manage the sprite sheets. The tracer tolerance slider gives you control over the optimization. TexturePacker's high-quality polygon tracer creates meshes with a low vertex count and overdraw. A too low vertex count, on the other hand, is also bad because this hands much work over to the GPU. So reducing the number of vertices is important. Vertices are expensive - because the CPU is required to transform them. Unity creates triangle meshes for all sprites - but the generated meshes often have too many vertices and high overdraw. Use the free TexturePacker Importer from Unity asset store to easily import the sprite sheets into Unity. Pack normal maps for 2d dynamic light effects.Easily manage & pack sprite sheets for you Unity project.Increase the performance of your game with optimized sprite meshes (Unity 5).TexturePacker helps you accomplish things that are hard to do with Unity alone: |
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